Richard Diebenkorn

Paintings and Drawings 1949-1955

Greenberg Van Doren Gallery

May 5 – June 25, 2010

Untitled (Berkeley), 1955Ink on paper14 3/4 x 12 1/8 inches (37.5 x 30.8 cm)RD 2153

Untitled (Berkeley), 1955Ink on paper11 x 8 1/2 inches (27.9 x 21.6 cm)RD 2156

Untitled (Berkeley), 1955Ink on paper14 3/4 x 12 1/8 inches (37.5 x 30.8 cm)RD 2158

Untitled (Berkeley), 1955Ink on paper15 1/4 x 12 inches (38.7 x 30.5 cm)RD 2160

Untitled (Berkeley), 1955Ink on paper16 7/8 x 13 7/8 inches (42.9 x 35.2 cm)RD 2151

Untitled (Berkeley), 1955Ink, gouache on paper11 x 8 1/2 inches (27.9 x 21.6 cm)RD 2149

Untitled, 1953-55Gouache on paper12 1/2 x 9 inches (31.8 x 22.9 cm)RD 2665

Untitled (Berkeley), 1953-54Oil, ink, watercolor, charcoal on paper14 x 10 7/8 inches (35.6 x 27.6 cm)RD 2154

Untitled, 1949-55Ink and cut-and-pasted paper on paper18 x 15 inches (45.7 x 38.1 cm)RD 5261

Untitled, 1949-55Ink on paper14 x 17 inches (35.6 x 43.2 cm)RD 5491

Untitled (Berkeley), 1954Ink on paper11 x 8 1/2 inches (27.9 x 21.6 cm)RD 2157

Berkeley #25, 1954Oil on canvas17 7/8 x 21 1/2 inches (45.4 x 54.6 cm)RD 1126

Untitled, 1953Ink on paper14 x 17 inches (35.6 x 43.2 cm)RD 5188

Untitled (Urbana), 1953Ink on paper14 1/2 x 11 1/2 inches (36.8 x 29.2 cm)RD 2122

Untitled (Urbana), 1953Ink, graphite on paper12 x 9 1/4 inches (30.5 x 23.5 cm)RD 2136

Untitled (Urbana), 1952Oilstick, gouache on paper10 1/2 x 10 inches (26.7 x 25.4 cm)RD 2165

Untitled (Urbana), 1952Ink on paper8 1/2 x 11 inches (21.6 x 27.9 cm)RD 2135

The Green Huntsman, 1952Oil on canvas42 3/4 x 69 1/2 inches (108.6 x 176.5 cm)RD 1091

Albuquerque #7, 1951Oil on canvas69 1/4 x 38 inches (175.9 x 96.5 cm)RD 2379

Albuquerque #5, 1951Oil on canvas33 5/8 x 29 1/4 inches (85.4 x 74.3 cm)RD 2375

Untitled (Albuquerque), 1951Gouache, ink, watercolor and graphite on paper19 x 12 3/8 inches (48.3 x 31.4 cm)RD 2166

Untitled (Albuquerque), 1951Gouache on paper10 7/8 x 13 7/8 inches (27.6 x 35.2 cm)RD 2132

Untitled (Albuquerque), c. 1951Gouache on paper48 x 36 in.RD 2074

Untitled, 1951Gouache, ink on paper15 1/8 x 12 5/8 inches (38.4 x 32.1 cm)RD 5495

Untitled (Albuquerque), c.1951Oil on canvas57 x 45 1/2 inches (144.8 x 115.6 cm)RD 2382

Untitled (Albuquerque), 1950Ink on paper11 x 8 1/2 inches (27.9 x 21.6 cm)RD 2124

Untitled (Albuquerque), 1950Ink on paper11 x 14 inches (27.9 x 35.6 cm)RD 2131

Untitled (Albuquerque), 1950Ink on paper17 x 14 inches (43.2 x 35.6 cm)RD 2162

Untitled, c. 1950Gouache, oil on paper24 1/2 x 22 1/8 inches (62.2 x 56.2 cm)RD 5466

Untitled, 1949Gouache on paper16 3/4 x 13 3/4 inches (42.5 x 34.9 cm)RD 2691

Untitled (Sausalito), 1949Gouache on paper18 x 14 inches (45.7 x 35.6 cm)RD 3285

Untitled, 1949Oil on canvas47 3/4 x 32 3/4 inches (121.3 x 83.2 cm)RD 2140

Catalogue Available

Greenberg Van Doren Gallery is pleased to present an exhibition of paintings and works on paper from 1949 – 1955 by Richard Diebenkorn (1922 – 1993). Organized in cooperation with the Estate of Richard Diebenkorn, this exhibition will feature thirty-six works many of which, until now, have only been seen in museum exhibitions including the 1988-89 MoMA show The Drawings of Richard Diebenkorn and the Harwood Museum of Art's Richard Diebenkorn in New Mexico from 2007-08.

Diebenkorn's early works from the late 40s through the mid 50s are among the finest examples of postwar American abstraction. Characterized by calligraphic lines and shifting fields of color, these works reflect both the broader interest in abstraction shared among many artists of the period and the diverse landscapes in which Diebenkorn lived during these years. Diebenkorn left Sausalito, California in 1949 to pursue his graduate degree in art at the University of New Mexico in Albuquerque. In 1952 he moved again to Urbana, Illinois to teach and then, in 1952, returned to California where he settled in Berkeley. Each new surrounding provoked a change in the artist's palette and in the overall rhythm of his compositions.

The earliest works on canvas and paper reflect a certain map like quality, perhaps as a result of Diebenkorn's work in the military service as an aerial topographical draftsman. Broad areas of color, often rectilinear, ranging from gray to soft pink to adobe red comprise the composition of Albuquerque #5, 1951. Into these fields of color are inserted organic invented forms defined by a black line. At times the line grows into elongated shapes painted around one another as in The Green Huntsman, 1952. In the works from the Berkeley period such as Berkeley #25, it appears that the artist has righted the picture plane parallel to the viewer as a horizon line creeps into the composition. Softer hues give way to orange, blue and green. Eighteen black and white drawings on paper explore all the permutations of mark making and brushstroke found in the canvases.